4 10 107 https://www.community-sourcing-beta-test.slaverymonuments.org/files/original/382d835569deb0d8369ba608f05b83f6.png 72a35c4cd6997e89a4d931d7c9c1267c Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Zumbi dos Palmares (Salvador da Bahia, Brazil) Subject The topic of the resource Subject (Topic) Slavery Resistance Middle Passage Transatlantic Slave Trade Slave Trade Public art Public sculpture Salvador da Bahia, Brazil Subject (Name) Zumbi (Zumbi dos Palmares), 1655 – 1695 Subject (Object Type): Commemorative sculpture Creator An entity primarily responsible for making the resource Duarte, Lázaro Souza Date A point or period of time associated with an event in the lifecycle of the resource Dedicated: May 30, 2008 Contributor An entity responsible for making contributions to the resource Palmares Cultural Foundation; A Mulherada; Minster of Culture; Municpality of Salvador Format The file format, physical medium, or dimensions of the resource JPEG Language A language of the resource English Type The nature or genre of the resource Visual Arts-Sculpture Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Praça da Sé, 15-23 - Pelourinho, Salvador - BA, 40020-210, Brazil Description An account of the resource The work is dedicated to Zumbi dos Palmares, a <a href="https://www.britannica.com/topic/quilombo" target="_blank" rel="noopener">Quilombo</a> leader and one of the principle forces behind the resistance to slavery in Brazil. The muscular, semi-nude figure of Zumbi dos Palmares, stands with his weight shifted to his right foot. He brings the sole of his left foot to his right shin and holds a spear in his left hand as he turns his head slightly to the left. Source A related resource from which the described resource is derived Laura De la Rosa, ResearchGate https://www.community-sourcing-beta-test.slaverymonuments.org/files/original/c967bf5bf70f1e0aa84da41f260f0ffe.gif a2fb397059cf8c3c0b1d7c3f8152653c Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Sculpture Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Soldiers Memorial (Lincoln University, Jefferson City, MO) Subject The topic of the resource Subject (Topic) Men--United States Colored Troops Associations--Military American Midwest Public art Public sculpture Subject (Object Type) Commemorative sculpture Description An account of the resource The monument depicts the members of the 62nd and 65th United States Colored Infantry who, in 1866, founded Lincoln University in Jefferson City, MO. The work includes two soldiers and Capt. Foster, their white commander, who all are shown atop a pedestal. Another soldier, placed behind the main sculptural group, assists other soldiers as they ascend the pedestal. On the base of the pedestal is a bas relief group of soldiers. Creator An entity primarily responsible for making the resource Dwight, Ed Date A point or period of time associated with an event in the lifecycle of the resource Dedicated: 2007 Contributor An entity responsible for making contributions to the resource Lincoln University Rights Information about rights held in and over the resource Lincoln University Relation A related resource <a href="https://jubiloemancipationcentury.wordpress.com/2012/03/06/soldiers-memorial-at-lincoln-university-missouri/" target="_blank" rel="noopener">Soldiers Memorial</a> Format The file format, physical medium, or dimensions of the resource JPEG Language A language of the resource English Type The nature or genre of the resource Visual Arts-Sculpture Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 820 Chestnut St, Jefferson City, MO 65101, United States Source A related resource from which the described resource is derived Lincoln University USCT https://www.community-sourcing-beta-test.slaverymonuments.org/files/original/f2e1bb9227938890dd61f8d27670fe9a.jpeg a03049b5c6c5411a5360d269c0c5f0f7 https://www.community-sourcing-beta-test.slaverymonuments.org/files/original/fe0e6d6852a7127e50e4af098c6b284f.jpeg 51e74af172760b91290ace8fe19cf0db Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Sculpture Physical Dimensions The actual physical size of the original image 168 x 336 in. (426.72 x 853.44 cm.) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Memorial to the Underground Railroad (Battle Creek, MI) Subject The topic of the resource Subject (Topic) Abolitionists--United States Antislavery movements--United States Fugitive slaves--United States Michigan--History Midwestern United States Public art Public sculpture Underground Railroad Subject (Name) Hussey, Erastus, 1800-1889 Hussey, Sarah Bowen, 1808-1899 Tubman, Harriet, 1822-1913 Subject (Object Type) Commemorative sculpture Creator An entity primarily responsible for making the resource Dwight, Ed, 1933- Source A related resource from which the described resource is derived Photograph: Wikimedia Commons, <a href="https://commons.wikimedia.org/wiki/File:The_Underground_Railroad_Sculpture_in_Battle_Creek,_Michigan_(2981829830).jpg" target="_blank" rel="noopener">https://commons.wikimedia.org/wiki/File:The_Underground_Railroad_Sculpture_in_Battle_Creek,_Michigan_(2981829830).jpg</a> Date A point or period of time associated with an event in the lifecycle of the resource Dedicated: October 24, 1993 Contributor An entity responsible for making contributions to the resource W. K. Kellogg Foundation and Glenn A. Cross Estate, Battle Creek, Michigan. Rights Information about rights held in and over the resource W. K. Kellogg Foundation, 1 Michigan Avenue East, Battle Creek, Michigan, 49017, United States Format The file format, physical medium, or dimensions of the resource JPEG Language A language of the resource English Type The nature or genre of the resource Visual Arts-Sculpture Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Kellogg House Park, 2-10 N Monroe Street, Battle Creek, Michigan, 49017, United States Description An account of the resource A multifigure statue that includes portraits of Erastus and Sarah Hussey, abolitionists and Underground Railroad conductors in southern Michigan as well as an image of Harriet Tubman. abolitionist anti-slavery Ed Dwight Erastus Hussey Harriet Tubman Michigan Sarah Hussey Underground Railroad https://www.community-sourcing-beta-test.slaverymonuments.org/files/original/515e196c66f8a9369082c72c52976661.jpg 0d7fbc2d150deaa6805eb394de8f4e14 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Monuments to Resistance Contributor An entity responsible for making contributions to the resource Renée Ater Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Sculpture Physical Dimensions The actual physical size of the original image Bronze statue: 84 in. (213.36 cm.) Granite base: 44 ¾ x 59 in. (113.67 cm.) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Denmark Vesey Monument (Charleston, SC) Subject The topic of the resource Subject (Topic) Anti-slavery movements--United States Public art Public sculpture Slave insurrections--South Carolina--Charleston Slave revolt--South Carolina--Charleston Slavery--South Carolina South Carolina--History Subject (Name) Vesey, Denmark, 1767-1822 Subject (Object Type) Commemorative sculpture Description An account of the resource The work is dedicated to Denmark Vesey, a carpenter and self-educated black man who planned one of the most extensive slave revolt in U.S. history in Charleston, SC in 1822. Vesey, elegantly dressed in a collared jacket, trousers, and an exceedingly long and slim cravat, is shown holding his carpentry bag, his hat, and his Bible. The figure stands atop a massive granite pedestal that is inscribed on two sides with biographical and historical information about Vesey and his vital contributions to the fight for the emancipation of black people. Creator An entity primarily responsible for making the resource Dwight, Ed, 1933- Date A point or period of time associated with an event in the lifecycle of the resource Dedicated: February 8, 2014 Contributor An entity responsible for making contributions to the resource Denmark Vesey and the Spirit of Freedom Monument Committee and City of Charleston. Relation A related resource To watch a video of the the monument's dedication, click <a href="https://www.youtube.com/watch?v=QaQOovmfq6Q" target="_blank" rel="noopener">here.</a> Format The file format, physical medium, or dimensions of the resource JPEG Language A language of the resource English Type The nature or genre of the resource Visual Arts-Sculpture Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Hampton Park, 30 Mary Murray Drive, Charleston, South Carolina, 29403, United States Source A related resource from which the described resource is derived Photographs by Izetta Autumn Mobley Rights Information about rights held in and over the resource City of Charleston, 80 Broad Street, Charleston, South Carolina, 29401, United States anti-slavery Charleston Denmark Vesey Ed Dwight rebellion South Carolina https://www.community-sourcing-beta-test.slaverymonuments.org/files/original/ad96b021c89f42e9f2c5c23580ea885a.jpg 72765ef6857bf06401f424c8ac5225f2 https://www.community-sourcing-beta-test.slaverymonuments.org/files/original/02638b0b28bada818033a9510889d61c.jpg 0448fbc8669c4fa9bc63a09f20d3c5ee https://www.community-sourcing-beta-test.slaverymonuments.org/files/original/d5b8880215260c80317d62d1ee5c7ae2.jpg c8dd26b3a53396dbc1f082d8ef66c718 https://www.community-sourcing-beta-test.slaverymonuments.org/files/original/93256ed58a7695610e032126701179d5.jpg ad5c0a62e44511a552ed5fa939f114f3 https://www.community-sourcing-beta-test.slaverymonuments.org/files/original/a0addd338f6ee63df99afbfdb1fe343b.jpg d482e9429b0d57ddfb4af2baef3d194d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource African American History Contributor An entity responsible for making contributions to the resource Renée Ater Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Sculpture Physical Dimensions The actual physical size of the original image Obelisk and pedestal: 276 in. (701.04 cm.) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource South Carolina African-American History Monument (Columbia, SC) Subject The topic of the resource Subject (Topic) African American history American South Public art Public sculpture Slave ships--History Slavery South Carolina--History Subject (Object Type) Commemorative sculpture Description An account of the resource Two semicircular gray granite walls, inlaid with twelve bronze panels illustrating 300 years of African American history, frame an obelisk and pedestal. The twelve scenes of African American history include images of the Middle Passage, an African American family on an auction block, slaves working in a field, men and women celebrating the Emancipation Proclamation, the Jim Crow era, the Great Migration, and images of contemporary African Americans’ important contributions to engineering, law education, sports, politics, and space exploration. At the base of the monument’s obelisk are four rubbing stones from regions of Africa where slaves were captured - Senegal, Sierra Leone, the Republic of Congo, and Ghana. In front of the memorial, Dwight included a bronze cast of the famous print of the British slave ship Brookes (1787). Creator An entity primarily responsible for making the resource Dwight, Ed, 1933- Date A point or period of time associated with an event in the lifecycle of the resource Dedicated: March 29, 2001 Contributor An entity responsible for making contributions to the resource <a href="https://dc.statelibrary.sc.gov/handle/10827/25969" target="_blank" rel="noopener">African American History Monument Commission</a>; South Carolina Arts Commission; State House Committee; Citizens' Advisory Committe; Design Committee; Fundraising Committee; and private donors. Format The file format, physical medium, or dimensions of the resource JPEG Language A language of the resource English Type The nature or genre of the resource Visual Arts-Sculpture Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant South Carolina State House Grounds, 1100 Gervais Street, Columbia, South Carolina, 29201, United States Source A related resource from which the described resource is derived Photographs: Ron Cogswell, <a href="https://www.flickr.com/photos/22711505@N05/7917139800/in/album-72157630674378570/" target="_blank" rel="noopener">https://www.flickr.com/photos/22711505@N05/7917139800/in/album-72157630674378570/</a> Rights Information about rights held in and over the resource South Carolina State House, 1100 Gervais Street, Columbia, South Carolina, 29201, United States African American history Ed Dwight obelisk slave ship South Carolina state capitol https://www.community-sourcing-beta-test.slaverymonuments.org/files/original/95c4ca25d32321f70dff9d3b9dd60e93.jpg 9274942481ee5f1947a773fcb05767da Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource African American History Contributor An entity responsible for making contributions to the resource Renée Ater Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Sculpture Physical Dimensions The actual physical size of the original image 408 x 324 in. ( 1036.32 x 822.96 cm.) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Texas African American History Memorial (Austin, TX) Subject The topic of the resource Subject (Topic) African American history American South Juneteenth--Texas--Austin Public art Public sculpture Slavery--Abolition Slavery--Emancipation Texas--History Subject (Object Type) Commemorative sculpture Description An account of the resource The monumental work includes two bronze walls featuring figural scenes celebrating 400 years of African Americans’ contributions to Texas history. Decorated on both front and back, Dwight includes depictions of African Americans engaged in the cattle, cotton, and oil industries as well as tributes to Mickey Leland, Medgar Evers, Buffalo Soldiers, President Barack Obama, and African American Medal of Honor recipients. The two embellished walls meet at a central column. Scores of African American figures, seemingly comprising the base and shaft of the column, gaze outward at the viewer. The top of the column is adorned with two figures standing on a base that reads “Emancipation.” Both figures, one male, one female, have the cuffs of broken shackles and chains around their wrists. The former raises a lit torch over his head, while the latter holds a copy of the Emancipation Proclamation. The monument also serves as a memorial to Juneteenth (June 19, 1865), when hundreds of Union troops arrived in Texas and announced the abolition of slavery in the U.S. The memorial sits atop a granite base, which features bronze plaques with didactic text. Creator An entity primarily responsible for making the resource Dwight, Ed, 1933- Date A point or period of time associated with an event in the lifecycle of the resource Dedicated: November 19, 2019 Contributor An entity responsible for making contributions to the resource Texas African American History Memorial Committee; Texas Legislative Black Caucus; and State of Texas. Format The file format, physical medium, or dimensions of the resource JPEG Language A language of the resource English Type The nature or genre of the resource Visual Arts-Sculpture Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Texas State Capitol Grounds, 100 W 11th St, Austin, Texas, 78701, United States Source A related resource from which the described resource is derived Photograph: José Pestana, <a href="https://www.flickr.com/photos/jpestana/31271259748/in/photolist-PDko3Q/" target="_blank" rel="noopener">https://www.flickr.com/photos/jpestana/31271259748/in/photolist-PDko3Q/</a> Rights Information about rights held in and over the resource Capitol Historical Artifact Collection, State Preservation Board, 201 E 14th Street, Suite 950 (Sam Houston State Office Building), Austin, Texas, 78711, United States African American history Ed Dwight Juneteenth slavery state capitol Texas https://www.community-sourcing-beta-test.slaverymonuments.org/files/original/34148fdeedbcad9e4bbc07a795e6cc57.jpg 85ca261716a5786465e5718285542beb https://www.community-sourcing-beta-test.slaverymonuments.org/files/original/18ceeda702521cdd79a9abaa35e81ec8.jpg 124accfeb0ec187cd6c14beedc9eb7d3 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Sculpture Physical Dimensions The actual physical size of the original image 264'' Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tower of Freedom (Windsor, Ontario) Subject The topic of the resource Subject (Topic) Underground Railroad Slavery-- Abolition Slavery-- Emancipation Resistance Public art Public sculpture, Windsor, Ontario, Canada Subject (Object Type) Commemorative sculpture Description An account of the resource The Canadian counter-part to Ed Dwight's<a href="https://www.community-sourcing-beta-test.slaverymonuments.org/admin/items/show/1170" target="_blank" rel="noopener"> Gateway to Freedom</a>, Tower of Freedom consists of a twenty-two-foot high granite tower, adorned with a bronze flame symbolizing the “Eternal Flame of Freedom.” Life-size bronze figures stand on opposite sides of the tower’s base. The cluster of four bronze figures facing the river include an African American woman holding an infant and a white woman, often identified as a Quaker “operative.” Behind the women, a man stands with his arms raised in a gesture of praise. On the opposite side of the tower, a singular figure of a woman looks back towards the river and the United States. Despite her age, she clutches a rag doll. Date A point or period of time associated with an event in the lifecycle of the resource Dedicated: October 20, 2001 Contributor An entity responsible for making contributions to the resource Detroit 300; The Underground Railroad Monument Committee of Windsor Format The file format, physical medium, or dimensions of the resource JPEG Language A language of the resource English Type The nature or genre of the resource Visual Arts-Sculpture Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Civic Esplanade, 200 Pitt St. E., Windsor, Ontario, Canada Creator An entity primarily responsible for making the resource Dwight, Ed, 1933- Source A related resource from which the described resource is derived Jim Shreve, Flickr; The City of Winsor https://www.community-sourcing-beta-test.slaverymonuments.org/files/original/05e79c2e6847aab1ee4ef395167fae25.jpg a50351050e5aed7708bfc94e1d4e6b06 https://www.community-sourcing-beta-test.slaverymonuments.org/files/original/b4e8b73c7658c88f9fb4f881c4d2675c.jpg 84b35d6ad89c97e15d002b7620367df4 https://www.community-sourcing-beta-test.slaverymonuments.org/files/original/b457554a877319209cdb7ea5080d0b1c.jpg 5d4b9a470e0003bfb740621f5eab77b6 https://www.community-sourcing-beta-test.slaverymonuments.org/files/original/e8e6c772f0d0e2c64cc6d1995ac4421f.jpg cab5240fe75be3546570f49ea9edd1da Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Sculpture Physical Dimensions The actual physical size of the original image 120 x 120 x 144 in. (304.8 x 304.8 x 365.76 cm.) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Gateway to Freedom: International Memorial to the Underground Railroad (Detroit, MI ) Subject The topic of the resource Subject (Topic) Underground Railroad Slavery-- Abolition Slavery-- Emancipation Resistance Midwestern United States Public art Public sculpture Subject (Object Type) Commemorative sculpture Description An account of the resource Two gateway pillars (approximately fifteen feet tall), topped with candles symbolizing the “Flame of Freedom,” flank Ed Dwight's memorial to the Underground Railroad. The work, which overlooks the Detroit River, includes a ten-by-twelve-foot sculptural group: eight escaping slaves and an Underground Railroad Conductor, who gazes and points towards Canada. Dwight modeled the conductor after <a href="https://detroithistorical.org/learn/encyclopedia-of-detroit/debaptiste-george" target="_blank" rel="noopener">George DeBaptiste</a>, a freeman from Virginia who migrated to Detroit in 1846. DeBaptiste was an active abolitionist, Underground Railroad operative, and leader of the Vigilant Committee of Detroit, a watchdog and legal advocacy group for the black community.  Panels with engravings of quilt squares appear on either side of the figural group. Here, Dwight appears to be referencing one of the most popular myths surrounding the Underground Railroad: “<a href="https://www.pbs.org/wnet/african-americans-many-rivers-to-cross/history/who-really-ran-the-underground-railroad/">Freedom Quilts</a>,” objects said to have been created by slaves and hung in windows as coded maps or guideposts for fugitives slaves on the run. The base of the sculpture is embellished with engravings of lanterns resting in window sills. As the historian, Nora Faires has observed of the two gateway pillars: “High on the western pillar is a carving of a “slave tag,” dated 1833. Masters in Charleston, South Carolina, were legally required to purchase such tags or badges for slaves to wear, both as a revenue-raising measure and to keep track of those in the city’s slave population who hired out their own time. The badges were meant, in part, to prevent runaways from blending into the urban slave population, because they would have found it difficult and dangerous to seek work or engage in other business on their own behalf without possessing a tag. Dwight adorned the eastern pillar with a Charleston “free tag,” which the city had required free blacks to wear for most of the 1780s, probably also to help prevent runaways from taking advantage of urban opportunities. Interestingly, the centerpiece of the free tag is a liberty or Phrygian cap, held aloft on a liberty pole, a symbol of the quest for freedom that made an occasional appearance during the era of the American Revolution but would become more common in the United States in the 1790s and after, it having been popularized in the French Revolution.33 The placement of the slave figures between these two badges hints at their liminal state between the strict regulations of slavery and the quest for full liberty" (see bibliographic citation). Creator An entity primarily responsible for making the resource Dwight, Ed, 1933- Date A point or period of time associated with an event in the lifecycle of the resource Dedicated: October 20, 2001 Contributor An entity responsible for making contributions to the resource Detroit 300; International Underground Railroad Monument Collaborative Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Detroit Riverwalk, Detroit, MI 48226, United States (42° 19.584′ N, 83° 2.637′ ) Format The file format, physical medium, or dimensions of the resource JPEG Language A language of the resource English Type The nature or genre of the resource Visual Arts-Sculpture Source A related resource from which the described resource is derived Wikipedia Commons; Susan Cohn via High on Adventure https://www.community-sourcing-beta-test.slaverymonuments.org/files/original/4c818df56de3958c2efb58f832ae3263.jpg 46043fc5d103f7d890448b2e8c3f109e https://www.community-sourcing-beta-test.slaverymonuments.org/files/original/3efbf2c69ed97c51d7f4d9c31ecd46c3.jpg dfeb425e51e0461dce01d729b40d226b https://www.community-sourcing-beta-test.slaverymonuments.org/files/original/2aa8d9472f27aa6945c4183770e01691.jpg ba6f54ff17978c4f16a5d191a2b3dfcd https://www.community-sourcing-beta-test.slaverymonuments.org/files/original/2cb8bf349ef011caea4df18a7071be92.jpg 9005930f8ae9e820db05bdf7f64810a4 https://www.community-sourcing-beta-test.slaverymonuments.org/files/original/7ce09bc59a267e2c045e4bf1aeb4d82c.jpg a91b5002a7e57350ac1e0c9d55e4eb32 https://www.community-sourcing-beta-test.slaverymonuments.org/files/original/52b734ac31b629802f292c586a2b6274.jpg cadc084d82d82906abc76e292420af2f https://www.community-sourcing-beta-test.slaverymonuments.org/files/original/5d168a4b3cf868f2906e26939011b273.jpg 93d941224cb2e529215bf99e47f9066a https://www.community-sourcing-beta-test.slaverymonuments.org/files/original/39b38c3dbac4f38075c322aeeafea579.jpg b38b4dd0103ef18733246c770f2c631a https://www.community-sourcing-beta-test.slaverymonuments.org/files/original/53f0f360b62bffdcc2b58dce59380ea4.jpg 9bf986aced81d6ea48634c671cac3b1a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Frederick Douglass Monuments Creator An entity primarily responsible for making the resource Renée Ater Contributor An entity responsible for making contributions to the resource Renée Ater Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Sculpture Physical Dimensions The actual physical size of the original image Statue: 90 in. (228.6 cm.) Base: 36 in. (91.44 cm.) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Frederick Douglass Monument (University of Maryland, College Park, MD) Creator An entity primarily responsible for making the resource Edwards, Andrew, 1965- Date A point or period of time associated with an event in the lifecycle of the resource Dedicated: November 18, 2015 Subject The topic of the resource Subject (Topic) Abolitionists--United States Antislavery movements--United States Middle Atlantic States Maryland--History Public art Public sculpture Slavery--Maryland Subject (Name) Douglass, Frederick, 1818-1895 Subject (Object Type) Commemorative sculpture Description An account of the resource Full-size sculpture of Frederick Douglass portrays him in the middle of a speech, with one arm outstretched, and a copy of his autobiography under the other arm. His coat/cape billows out behind him in a swath of bronze. Source A related resource from which the described resource is derived Photographs by Renée Ater Contributor An entity responsible for making contributions to the resource Ira Berlin and the North Stars; Facilities Management-UMD; Private donors; UMD Foundation; Maryland Commission on African American History and Culture; and Maryland Historical Trust. Rights Information about rights held in and over the resource University of Maryland, College Park, Maryland, 20742, United States Format The file format, physical medium, or dimensions of the resource JPEG Language A language of the resource English Type The nature or genre of the resource Visual Arts-Sculpture Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Frederick Douglass Square, 4130 Campus Drive, University of Maryland, College Park, Maryland, 20742, United States abolitionist Andrew Edwards anti-slavery Frederick Douglass Maryland universities and slavery https://www.community-sourcing-beta-test.slaverymonuments.org/files/original/eea496a3fdd42ff58e68eb813e78e559.jpeg 146cc25e830dd16574f5e8670e20f4f7 https://www.community-sourcing-beta-test.slaverymonuments.org/files/original/8f3441212d5803a72fc1cf1cbaa3acbf.jpeg 3b0ae7e0c5c663d97aba05af9a530b2a https://www.community-sourcing-beta-test.slaverymonuments.org/files/original/ec0c5ed1189b1d467efca11f9fcb764e.jpeg 9ad6892766f7548d5cb177c1a0c00e2c https://www.community-sourcing-beta-test.slaverymonuments.org/files/original/f86324513a3356610dccb124e8070b6b.jpeg 1fec6269394e54847ad57f006e131152 https://www.community-sourcing-beta-test.slaverymonuments.org/files/original/d11da656c9a9f22d2ed46ffe433ab251.jpeg 20c57c7fb0106edcd2383a0d17f5cbe0 https://www.community-sourcing-beta-test.slaverymonuments.org/files/original/9c323e540c0d83c5406eb67398ae6617.jpeg d3ac279c1275065713f0dc417670a212 https://www.community-sourcing-beta-test.slaverymonuments.org/files/original/227a8c62e2a555855d24c67c7c8d4d5c.jpeg 908b18e53cc0a470c159ac01c6b3fa4b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Frederick Douglass Monuments Creator An entity primarily responsible for making the resource Renée Ater Contributor An entity responsible for making contributions to the resource Renée Ater Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Sculpture Physical Dimensions The actual physical size of the original image Statue: 96 in. (243.84 cm.) Pededstal: 108 in. (274.32 cm.) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Frederick Douglass (Rochester, NY) Creator An entity primarily responsible for making the resource Edwards, Stanley W. Subject The topic of the resource Subject (Topic) Abolitionists--United States Anti-slavery movements--United States New York--History Northeastern United States Public art Public sculpture Slavery--New York Subject (Name) Douglass, Frederick, 1818-1895 Subject (Object Type) Commemorative sculpture Description An account of the resource Sculptor Stanley W. Edwards modeled Douglass with his shoulders back, feet planted squarely forward, and his arms outstretched with his palms open as if he were addressing an audience. Mounted on the statue's pedestal are four bronze plaques, three of which are inscribed with quotes from Frederick Douglass. Photos of the monument were taken in Highland Bowl, Highland Park, Rochester, New York. Source A related resource from which the described resource is derived Photographs by Renée Ater Date A point or period of time associated with an event in the lifecycle of the resource Dedicated: June 9, 1899 Format The file format, physical medium, or dimensions of the resource JPEG Language A language of the resource English Type The nature or genre of the resource Visual Arts-Sculpture Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Frederick Douglass Memorial Plaza (South Ave and Robinson Drive), Rochester, New York, 14620, United States Contributor An entity responsible for making contributions to the resource George A. Benton; Charles R. Douglass; Hester C. Jeffrey; Benjamin Myers; Nathan P. Pond; Governor Theodore Roosevelt; Enoch R. Spalding; William A. Sutherland; Gertrude A. Thompson; John W. Thompson; and John Van Voorhis. Rights Information about rights held in and over the resource City of Rochester, Department of Environmental Services, 30 Church Street, Rochester, New York, 14614, United States 19th-century sculpture abolitionist anti-slavery Frederick Douglass New York Stanley W. Edwards