6 10 107 https://www.community-sourcing-beta-test.slaverymonuments.org/files/original/9c190d125db277620441e18a562928ed.jpg 963d54e24a1a4fa27179c55616107d8e Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Sculpture Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Kentucky African American Civil War Memorial (Frankfort, KY) Subject The topic of the resource Subject (Topic) Men--United States Colored Troops Associations--Military Southeastern United States Public sculpture Subject (Object Type) Commemorative sculpture Description An account of the resource The ten-foot limestone pillar was dedicated to 142 African American Soldiers from Franklin County, Kentucky who fought in the Civil War. Date A point or period of time associated with an event in the lifecycle of the resource July 4, 1924 Contributor An entity responsible for making contributions to the resource Women’s Relief Corps No. 8 of the Grand Army of the Republic Relation A related resource <a href="https://explorekyhistory.ky.gov/items/show/191" target="_blank" rel="noopener">Kentucky Historical Society</a> Format The file format, physical medium, or dimensions of the resource JPEG Language A language of the resource English Type The nature or genre of the resource Visual Arts-Sculpture Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Green Hill Cemetery, Frankfort, KY, 40601, United States Creator An entity primarily responsible for making the resource Unknown Source A related resource from which the described resource is derived Kentucky Historical Society Civil War USCT https://www.community-sourcing-beta-test.slaverymonuments.org/files/original/879b5eaaa83b6918da900635fc41b220.jpg 4161a04a0e79cfee7b993fd372a9a264 https://www.community-sourcing-beta-test.slaverymonuments.org/files/original/e5d7801aac2539f1314b68d6ecdebda7.jpg fa85d897dca47c2d617868fe42e95cc7 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Sculpture Physical Dimensions The actual physical size of the original image 360'' (914.4 cm) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Knockin’ On Freedom’s Door (Peoria, IL) Subject The topic of the resource Subject (Topic) Antislavery movements--United States Fugitive slaves--United States Underground Railroad Slavery-- Abolition American Midwest Subject (Name) Pettengill, Moses,1802-1883 Pettengill, Lucy,1802-1864 Lincoln, Abraham, 1809-1865 Subject (Object Type) Commemorative sculpture Description An account of the resource Preston Jackson‘s monumental bronze and stainless steel Knockin’ on Freedom’s Door is located on the site of the former Pettengill House in Peoria, an important station on the Underground Railroad. The work features multiple bronze sculptural groups within a stainless steel frame. The sculptural grouping includes a male and female freedom seeker, climbing out of a small rowboat as two white members of the Underground Railroad look down upon the pair. The pair of Underground Railroad conductors are presumably Moses and Lucy Pettengill. Moses holds a bucket of water in one hand and a ladle in the other, while Lucy clutches at her chest. At the very top of the sculpture, looking down over the scene is a portrait of Abraham Lincoln in profile. Creator An entity primarily responsible for making the resource Jackson, Preston Date A point or period of time associated with an event in the lifecycle of the resource Dedicated: October 24th, 2008 Format The file format, physical medium, or dimensions of the resource JPEG Language A language of the resource English Type The nature or genre of the resource Visual Arts-Sculpture Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Peoria Civic Center, 201 SW Jefferson Ave, Peoria, IL 61602, United States Source A related resource from which the described resource is derived Chicago-outdoor-sculptures.blogspot.com https://www.community-sourcing-beta-test.slaverymonuments.org/files/original/0dad1ca43de90011a3f91d359a49f69c.jpg 94a1434de9310087ae7f18b06ed92918 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource L’Arbre de la Liberté (Schoelcher, Martinque) Subject The topic of the resource Subject (Topic) Slavery--Resistance Middle Passage Transatlantic Slave Trade Slave Trade Public art Public sculpture Description An account of the resource Facing the Caribbean Ocean, the work consists of eight abstracted forms, some of which are rectilinear, and geometrize and others more curvilinear, with rounded organic forms. The bronze figures are embellished with symbols, which according to the sculptor, represent "the spirit of the liberated man." Creator An entity primarily responsible for making the resource Guédon, Henri, 1944-2006 Date A point or period of time associated with an event in the lifecycle of the resource 2001 Format The file format, physical medium, or dimensions of the resource JPEG Language A language of the resource English Type The nature or genre of the resource Visual Arts-Sculpture Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Place des Arawaks, Schoelcher, 97233, Martinique Source A related resource from which the described resource is derived Comité National pour la Mémoire et l'Histoire de l' Esclavage https://www.community-sourcing-beta-test.slaverymonuments.org/files/original/79ef8ac94602f4840bc28fa08673092a.jpg b383505d4c9ce4af56b3796fb2334bca https://www.community-sourcing-beta-test.slaverymonuments.org/files/original/701ccf20c9bca12773a15897953f029e.jpg 6576834d1d12d6b899c8bb6576279297 https://www.community-sourcing-beta-test.slaverymonuments.org/files/original/c79a5f52ba08d07bf12e1a44682089be.jpg 2f7622f6f8c17f6a194d7dc2a941d9f8 https://www.community-sourcing-beta-test.slaverymonuments.org/files/original/56564e9cd4b820da54db98f77c8c358b.jpg 7297ce0f98450cf89c7a314be031f213 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Sculpture; Memorial Arch Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource La Porte Du Non Retour (The Gate of No Return) (Ouidah, Benin) Subject The topic of the resource Subject (Topic) Africa Public art Public sculpture Ouidah--Benin--History Slave trade Slave trade--Africa--History Slave trade--Benin--Ouidah--History Subject (Object Type) Commemorative sculpture Memorial Arches Description An account of the resource Located on the sandy shores of Ouidah, Benin, the monumental concrete red, white, and yellow-painted gate and the metallic sculptures that flank it, commemorate the horrors of the Transatlantic Slave Trade. The memorial gate, which marks the point where African captives were forced onto transatlantic slave ships, is connected by a path, known as the “Slave Route,” to the market square, where enslaved people were once sold. The memorial arche is embellished with a frieze, depicting two lines of enslaved people bound at their hands and chained together as they walk towards waiting ships. The columns are adorned with sculptures depicting men and women captives, their extremities bound, as they kneel and await their fate in Portuguese-built forts. The back of the gate is adorned with depictions of their native towns. Yves Ahouangnimon was the architect for the project; Fortuné Bandiera created figures and bas reliefs on the columns; Yves Apollinaire Pèdé created the bas-reliefs on the center arch and two free-standing egungun; and Dominique Kouas created the copper statues. Creator An entity primarily responsible for making the resource Ahouangnimon, Yves Bandiera, Fortuné, 1953- Kouas, Dominique, 1952- Pèdé, Yves Apollinaire, 1959- Date A point or period of time associated with an event in the lifecycle of the resource Dedicated: November 30, 1995 Relation A related resource <a href="https://en.unesco.org/themes/fostering-rights-inclusion/slave-route#Collection" target="_blank" rel="noopener">The Slave Route, UNESCO</a><a href="https://medium.com/from-traditional-to-contemporary-aesthetic/the-slaving-port-of-ouidah-and-monumental-discourse-around-the-atlantic-perimeter-a41968341a57" target="_blank" rel="noopener"></a> Format The file format, physical medium, or dimensions of the resource JPEG Language A language of the resource English Type The nature or genre of the resource Visual Arts-Sculpture Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Route des Escalves, Ouidah, Benin Source A related resource from which the described resource is derived Photographs: Dan Stone, <a href="https://www.flickr.com/photos/dantoujours/33680680066/in/album-72157678589698644/" target="_blank" rel="noopener">https://www.flickr.com/photos/dantoujours/33680680066/in/album-72157678589698644/</a><a href="https://medium.com/from-traditional-to-contemporary-aesthetic/the-slaving-port-of-ouidah-and-monumental-discourse-around-the-atlantic-perimeter-a41968341a57" target="_blank" rel="noopener"></a> Photograph of commemorative plaque: <a href="https://commons.wikimedia.org/wiki/File:Porte_du_non_retour_11.jpg" target="_blank" rel="noopener">https://commons.wikimedia.org/wiki/File:Porte_du_non_retour_11.jpg</a> Contributor An entity responsible for making contributions to the resource Gouvernement de la République du Bénin and UNESCO. Rights Information about rights held in and over the resource Gouvernement de la République du Bénin Africa Benin Dominique Kouas Fortuné Bandiera Ouidah slave trade slavery Yves Ahouangnimon Yves Apollinaire Pede https://www.community-sourcing-beta-test.slaverymonuments.org/files/original/e38d6d8f89221bc31ab977f86a3ba023.jpg 735278269f7006c9c22002d0c593bc56 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Sculpture Physical Dimensions The actual physical size of the original image 141.72'' x 94.44'' (359.9688 cm x 239.8776 cm) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Le Marron Inconnu de Saint-Domingue (Port-au-Prince, Haiti) Subject The topic of the resource Subject (Topic) Slavery-Emancipation Middle Passage Transatlantic Slave Trade Slave Trade Diaspora Port-au-Prince, Haiti Subject (Object Type) Commemorative sculpture Description An account of the resource The bronze sculpture depicts a man, clad only in torn shorts, kneeling on his right leg. His left leg is outstretched behind him, a broken iron chain lays on the ground around his left foot. He arches his torso back as he holds a conch shell to his lips with his left hand, tilting his head upward. His right hand holds a machete at the ground. The statue was created to commemorate the abolition of slavery in Haiti. Creator An entity primarily responsible for making the resource Mangonès, Albert, 1917 –2002 Date A point or period of time associated with an event in the lifecycle of the resource Completed: September 22, 1967 Format The file format, physical medium, or dimensions of the resource JPEG Language A language of the resource English Type The nature or genre of the resource Visual Arts-Sculpture Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Place du Marron Inconnu, Champ de Mars, HT6110 Port-au-Prince, Haiti Source A related resource from which the described resource is derived Wikipedia.org https://www.community-sourcing-beta-test.slaverymonuments.org/files/original/91db44edf397c9774e367140c318c3bc.jpeg 308b33c70bee72e8c7572d15a418f15f https://www.community-sourcing-beta-test.slaverymonuments.org/files/original/95427215a43206452163900c59b1dd0e.jpeg ca14ad0329f241d6dcdf22f43efb5c41 https://www.community-sourcing-beta-test.slaverymonuments.org/files/original/ad3d20deea72c87eb8be0bf551d2a484.jpeg f67046d4f6ae7ca196b2355a8d9b23d6 https://www.community-sourcing-beta-test.slaverymonuments.org/files/original/95896d333ec69b20995a84a3d2014d25.jpeg be3c23b1eaf5e6c9b7bcd0498ca3ee78 https://www.community-sourcing-beta-test.slaverymonuments.org/files/original/761e98f78c4426efc646360041acacf9.jpeg bd04ee425b37d3df822dba31e90e749c https://www.community-sourcing-beta-test.slaverymonuments.org/files/original/a26c1993d1d0f231695a235570105e2b.jpeg a22fd3189966d532e14823e30f091642 https://www.community-sourcing-beta-test.slaverymonuments.org/files/original/f67151d1f37b048ddd84efce06b081a7.jpeg f74bb9b3f17d7070f031e831b27e4d84 https://www.community-sourcing-beta-test.slaverymonuments.org/files/original/56d17e86f9ec04bea2d389ef3baeaf91.jpeg ff9694f75125f4a7b1598fbd9cde0b0b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Frederick Douglass Monuments Creator An entity primarily responsible for making the resource Renée Ater Contributor An entity responsible for making contributions to the resource Renée Ater Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Sculpture Physical Dimensions The actual physical size of the original image Unknown Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Let's Have Tea (Rochester, NY) Creator An entity primarily responsible for making the resource Kettavong, Pepsy M., 1972- Subject The topic of the resource Subject (Topic): Abolitionists--United States Anti-slavery movements--United States Public art Public sculpture New York--History Northeastern United States Women's suffrage Subject (Name): Douglass, Frederick, 1818-1895 Anthony, Susan B., 1820-1806 Subject (Object Type): Commemorative sculpture Description An account of the resource Seated in simple wooden chairs, Frederick Douglass and Susan B. Anthony engage in conversation over tea. On a table between them sits a tea pot, to tea cups and saucers, and two books. Douglass leans forward, his gaze cast slightly downward, listening intently to Anthony, who sits upright in her chair. Date A point or period of time associated with an event in the lifecycle of the resource Installed: 2001 Contributor An entity responsible for making contributions to the resource Susan B. Anthony Neighborhood Association and City of Rochester, NY. Format The file format, physical medium, or dimensions of the resource JPEG Language A language of the resource English Type The nature or genre of the resource Visual Arts-Sculpture Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Susan B. Anthony Square Park, 39 King Street, Rochester, New York, 14608, United States Source A related resource from which the described resource is derived Photographs by Renée Ater Rights Information about rights held in and over the resource City of Rochester, City Hall, 30 Church Street, Rochester, New York, 14614, United States abolitionist anti-slavery Frederick Douglass New York Pepsy Kettavong women's suffrage https://www.community-sourcing-beta-test.slaverymonuments.org/files/original/1174c6ef39bcbccc9bf54b83b627438e.jpg be8c7c104c1b59ae3e0814ed915db151 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Building and Structure Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Maison des Esclaves (House of Slaves) (Gorée Island, Senegal) Subject The topic of the resource Subject (Topic) Middle Passage Transatlantic Slave Trade Slave Trade Dakar, Senegal Description An account of the resource The island of Gorée was the site of one of the earliest European settlements in Western Africa and from the 15th to the 19th century, served as the largest slave-trading site on the African coast. Built in 1776, Maison des Esclaves, was a detention center for captured Africans who were destined to be sold as slaves. In 1962 the home was established as a museum dedicated to telling the “personal stories of a private home and the role of its owners in both local business and the slave trade.” Relation A related resource To learn more about UNESCO's Island of Gorée World Heritage Site, click <a href="https://whc.unesco.org/en/list/26">here</a>. To listen to a short interview with the curator of the Maison des Esclaves, click <a href="https://www.youtube.com/watch?v=fspECppEK_Q" target="_blank" rel="noopener">here.</a> Format The file format, physical medium, or dimensions of the resource JPEG Language A language of the resource English Type The nature or genre of the resource Building and Structures Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Rue St-Germain, Gorée Island, Senegal Source A related resource from which the described resource is derived International Coalition of Sites of Conscience https://www.community-sourcing-beta-test.slaverymonuments.org/files/original/5333aa16001b5583c7ef5066dd70f9cf.jpg 121c2f481caf913bdebb7dd2662efa11 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Building Physical Dimensions The actual physical size of the original image Building: 77,000 sq. ft; Gardens surrounding the museum: 5 acres Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mémorial ACTe (Pointe-à-Pitre, Guadeloupe) Subject The topic of the resource Subject (Topic) Slavery-Emancipation Slavery-Abolition Middle Passage Transatlantic Slave Trade Slave Trade Diaspora Pointe-à-Pitre, Guadeloupe Subject (Object Type) History Museums Description An account of the resource The museum, housed in a silver-latticework structure on the site of the former Darboussier sugar factory along the Pointe-à-Pitre waterfront, is dedicated to the history of the slave trade and slavery. The museum includes permanent exhibitions devoted to the history of slavery from Antiquity to the present alongside exhibitions of contemporary art by Guadeloupian artists such as Thierry Alet, Bruno Pédurand and Shuk One. Creator An entity primarily responsible for making the resource Atelier Architecture B.M. C. (Berthelot/Micka-Celestine) Date A point or period of time associated with an event in the lifecycle of the resource Opened to the public: July 7, 2015 Relation A related resource To visit the museum's website, click <a href="http://memorial-acte.fr" target="_blank" rel="noopener">here</a>. Format The file format, physical medium, or dimensions of the resource JPEG Language A language of the resource English Type The nature or genre of the resource Building and Structures Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Darboussier, 97110, Rue Raspail, Pointe-à-Pitre, Guadeloupe Source A related resource from which the described resource is derived Thierry Fundéré/ RCI.FM https://www.community-sourcing-beta-test.slaverymonuments.org/files/original/5af0f792ce88fa9045813505a7136076.jpg 3d942b53f44b590db2199b5422d07983 https://www.community-sourcing-beta-test.slaverymonuments.org/files/original/336ef4dfb937d80f93abbf9b1799f6c3.jpg 6a51cdec2c7bf8c62015af72639eaf14 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Sculpture Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mémorial de l’Anse Cafard (Le Diamant, Martinique) Subject The topic of the resource Subject (Topic) Middle Passage Transatlantic Slave Trade Slave Trade Diaspora Le Diamant, Martinique Subject (Object Type) Commemorative sculpture Description An account of the resource The memorial, which overlooks the sea, commemorates both the enslaved people who perished in a shipwreck off the coast of Martinique in 1830, and more generally, the tens of thousands of enslaved Africans who were taken to Martinique as part of the transatlantic slave trade. Arranged in a triangle the 15 stone figures are presented as abstracted, geometrized forms, stripping away any individualizing facial or bodily features. The figures face the ocean, leaning forward, their eyes cast downwards and their mouths open, as if vocalizing a scream. Creator An entity primarily responsible for making the resource Valère, Laurent, 1959- Date A point or period of time associated with an event in the lifecycle of the resource Dedicated: May 22, 1998 Relation A related resource To view excellent high-res images of the work, click <a href="https://www.uncommoncaribbean.com/martinique/uncommon-attraction-anse-cafard-slave-memorial-martinique/" target="_blank" rel="noopener">here</a>. Format The file format, physical medium, or dimensions of the resource JPEG Language A language of the resource English Type The nature or genre of the resource Visual Arts-Sculpture Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Memorial Anse Caffard, Anse Cafard, Le Diamant, Martinique Source A related resource from which the described resource is derived Memory and History of Slavery: Places and Events https://www.community-sourcing-beta-test.slaverymonuments.org/files/original/d4dbce60899b4fc20122a8ae82ebe46a.JPG 65361dae76cb37f23fdd85cd69a6c29e https://www.community-sourcing-beta-test.slaverymonuments.org/files/original/6258a1efa74542c3911d9a274a0e49c8.JPG f9651c5fc8b85e73f5ec5afcc4a6218e https://www.community-sourcing-beta-test.slaverymonuments.org/files/original/560cfd3225954cb3b87e93efe88545de.JPG 08a4033ec882f80fbfa5450f7e00768e https://www.community-sourcing-beta-test.slaverymonuments.org/files/original/5289baabf728d2eb3e3988b18fbd9bff.JPG 9be4f3542847d539d2ac8c4544a84f63 https://www.community-sourcing-beta-test.slaverymonuments.org/files/original/275d9b8c66cb0da5646d2b8864fc39c5.JPG e360c892eff324f952bfb88ad1f4b465 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Sculpture Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Memorial to the 2nd Regiment Infantry, U.S. Colored Troops (Fort Myers, FL) Subject The topic of the resource Subject (Topic) Men--United States Colored Troops Associations--Military American South Public art Public sculpture Subject (Object Type) Commemorative sculpture Description An account of the resource The over life-sized work depicts a sergeant in the United States Colored Troops 2nd Regiment standing infront of an open gate within a wall. The soldier is framed by two granite plaques mounted on each wall. The plaque on the left is a description of the imporatnt contribution of the 2nd Regiment during the Civil War. The plaque on the right contains a poem, written by Wilkins. Creator An entity primarily responsible for making the resource Wilkins, D.J. Source A related resource from which the described resource is derived Photographs by Renée Ater Date A point or period of time associated with an event in the lifecycle of the resource Dedicated: November 11, 1998 Contributor An entity responsible for making contributions to the resource Fort Myers Beautification Advisory Board, City of Fort Myers, FL Rights Information about rights held in and over the resource The City of Fort Myers Relation A related resource <a href="http://www.artswfl.com/public-art-2/fort-myers-river-district-public-art-2/clayton/clayton" target="_blank" rel="noopener">Clayton</a> Format The file format, physical medium, or dimensions of the resource JPEG Language A language of the resource English Type The nature or genre of the resource Visual Arts-Sculpture Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Centennial Park, 2000 W First St, Fort Myers, FL 33901, United States Civil War USCT