7
10
107
-
https://www.community-sourcing-beta-test.slaverymonuments.org/files/original/dd0de2a9044e449f307c511a31043404.jpg
f33a636a70a41b176de9b9b10d868eb5
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<em>Desenkadena</em> (Willemstad, Curaçao)
Subject
The topic of the resource
Subject (Topic)<br />Slavery-Emancipation<br />Middle Passage<br />Transatlantic Slave Trade<br />Slave Trade<br />Diaspora <br />Willemstad, Curaçao
Subject (Object Type)<br />Commemorative sculpture
Description
An account of the resource
The over life-size bronze sculptural group depicts three figures, two men and one woman. As the title of the work, <em>Desenkadena</em> (unchained) suggests, the figures are breaking free from the chains that bind their wrists. The central figure is flanked by a man and woman, both of whom gaze at him as he breaks their chains. The “chain breaker,” a muscular, semi-nude man, stands in front of an anvil. Simon captures the figure mid-swing as he raises a hammer over his head with his right hand. In his left hand he holds iron chains in place with a chisel. The work commemorates the 1795 slave rebellion led by an enslaved person called Tula.
Creator
An entity primarily responsible for making the resource
Simon, Nel, 1938-
Date
A point or period of time associated with an event in the lifecycle of the resource
Dedicated: October 17, 1998
Relation
A related resource
To see how the work was made, click <a href="http://nelsimon.nl/en/16031/the_making_of_the_tula_monument_desenkadena_curacao/" target="_blank" rel="noopener">here.</a>
Format
The file format, physical medium, or dimensions of the resource
JPEG
Language
A language of the resource
English
Type
The nature or genre of the resource
Visual Arts-Sculpture
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Tula Monument, 4352+9F Willemstad, Curaçao
Source
A related resource from which the described resource is derived
Pinterest.com
-
https://www.community-sourcing-beta-test.slaverymonuments.org/files/original/5333aa16001b5583c7ef5066dd70f9cf.jpg
121c2f481caf913bdebb7dd2662efa11
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Building
Physical Dimensions
The actual physical size of the original image
Building: 77,000 sq. ft; Gardens surrounding the museum: 5 acres
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<em>Mémorial ACTe</em> (Pointe-à-Pitre, Guadeloupe)
Subject
The topic of the resource
Subject (Topic)<br />Slavery-Emancipation<br />Slavery-Abolition<br />Middle Passage<br />Transatlantic Slave Trade<br />Slave Trade<br />Diaspora<br />Pointe-à-Pitre, Guadeloupe
Subject (Object Type) <br />History Museums
Description
An account of the resource
The museum, housed in a silver-latticework structure on the site of the former Darboussier sugar factory along the Pointe-à-Pitre waterfront, is dedicated to the history of the slave trade and slavery. The museum includes permanent exhibitions devoted to the history of slavery from Antiquity to the present alongside exhibitions of contemporary art by Guadeloupian artists such as Thierry Alet, Bruno Pédurand and Shuk One.
Creator
An entity primarily responsible for making the resource
Atelier Architecture B.M. C. (Berthelot/Micka-Celestine)
Date
A point or period of time associated with an event in the lifecycle of the resource
Opened to the public: July 7, 2015
Relation
A related resource
To visit the museum's website, click <a href="http://memorial-acte.fr" target="_blank" rel="noopener">here</a>.
Format
The file format, physical medium, or dimensions of the resource
JPEG
Language
A language of the resource
English
Type
The nature or genre of the resource
Building and Structures
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Darboussier, 97110, Rue Raspail, Pointe-à-Pitre, Guadeloupe
Source
A related resource from which the described resource is derived
Thierry Fundéré/ RCI.FM
-
https://www.community-sourcing-beta-test.slaverymonuments.org/files/original/8a8f257be8ee473b94117d9e8b029533.jpg
9c42028a005380f18ef25d453fc9d1d3
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Sculpture
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<em>Redemption Song</em> (Kingston, Jamaica)
Subject
The topic of the resource
Subject (Topic)<br />Slavery-Emancipation<br />Middle Passage<br />Transatlantic Slave Trade<br />Slave Trade<br />Diaspora<br />Kingston, Jamaica
Subject (Object Type)<br />Commemorative sculpture
Description
An account of the resource
Two nude figures, shown from the knees up, face one another as they gaze skyward. The two bronze figures of a man and woman stand in a cast-iron dome fountain.
Creator
An entity primarily responsible for making the resource
Facey, Laura, 1954-
Date
A point or period of time associated with an event in the lifecycle of the resource
Unveiled: July 31, 2003
Contributor
An entity responsible for making contributions to the resource
National Gallery of Jamaica; Jamaica National Heritage Trust; National Government of Jamaica
Relation
A related resource
To watch <em>Paddlin' Spirit,</em> short documentary film about the Laura Facey, <a href="https://caribbeantalesfestival.com/project/paddlin-spirit-a-portrait-of-the-artist-laura-facey/" target="_blank" rel="noopener">click here.</a>
Format
The file format, physical medium, or dimensions of the resource
JPEG
Language
A language of the resource
English
Type
The nature or genre of the resource
Visual Arts-Sculpture
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Emancipation Park Oxford Road and, Knutsford Blvd, Kingston, Jamaica
Source
A related resource from which the described resource is derived
Emancipation Park Online: A Tribute to Freedom
-
https://www.community-sourcing-beta-test.slaverymonuments.org/files/original/5af0f792ce88fa9045813505a7136076.jpg
3d942b53f44b590db2199b5422d07983
https://www.community-sourcing-beta-test.slaverymonuments.org/files/original/336ef4dfb937d80f93abbf9b1799f6c3.jpg
6a51cdec2c7bf8c62015af72639eaf14
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Sculpture
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<em>Mémorial de l’Anse Cafard</em> (Le Diamant, Martinique)
Subject
The topic of the resource
Subject (Topic)<br />Middle Passage<br />Transatlantic Slave Trade<br />Slave Trade<br />Diaspora<br />Le Diamant, Martinique
Subject (Object Type)
Commemorative sculpture
Description
An account of the resource
The memorial, which overlooks the sea, commemorates both the enslaved people who perished in a shipwreck off the coast of Martinique in 1830, and more generally, the tens of thousands of enslaved Africans who were taken to Martinique as part of the transatlantic slave trade. Arranged in a triangle the 15 stone figures are presented as abstracted, geometrized forms, stripping away any individualizing facial or bodily features. The figures face the ocean, leaning forward, their eyes cast downwards and their mouths open, as if vocalizing a scream.
Creator
An entity primarily responsible for making the resource
Valère, Laurent, 1959-
Date
A point or period of time associated with an event in the lifecycle of the resource
Dedicated: May 22, 1998
Relation
A related resource
To view excellent high-res images of the work, click <a href="https://www.uncommoncaribbean.com/martinique/uncommon-attraction-anse-cafard-slave-memorial-martinique/" target="_blank" rel="noopener">here</a>.
Format
The file format, physical medium, or dimensions of the resource
JPEG
Language
A language of the resource
English
Type
The nature or genre of the resource
Visual Arts-Sculpture
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Memorial Anse Caffard, Anse Cafard, Le Diamant, Martinique
Source
A related resource from which the described resource is derived
Memory and History of Slavery: Places and Events
-
https://www.community-sourcing-beta-test.slaverymonuments.org/files/original/79ef8ac94602f4840bc28fa08673092a.jpg
b383505d4c9ce4af56b3796fb2334bca
https://www.community-sourcing-beta-test.slaverymonuments.org/files/original/701ccf20c9bca12773a15897953f029e.jpg
6576834d1d12d6b899c8bb6576279297
https://www.community-sourcing-beta-test.slaverymonuments.org/files/original/c79a5f52ba08d07bf12e1a44682089be.jpg
2f7622f6f8c17f6a194d7dc2a941d9f8
https://www.community-sourcing-beta-test.slaverymonuments.org/files/original/56564e9cd4b820da54db98f77c8c358b.jpg
7297ce0f98450cf89c7a314be031f213
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Sculpture; Memorial Arch
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<em>La Porte Du Non Retour (The Gate of No Return)</em> (Ouidah, Benin)
Subject
The topic of the resource
<p>Subject (Topic)<br />Africa<br />Public art<br />Public sculpture<br />Ouidah--Benin--History<br />Slave trade<br />Slave trade--Africa--History<br />Slave trade--Benin--Ouidah--History<br /><br /></p>
<p>Subject (Object Type) <br />Commemorative sculpture <br />Memorial Arches</p>
Description
An account of the resource
<p>Located on the sandy shores of Ouidah, Benin, the monumental concrete red, white, and yellow-painted gate and the metallic sculptures that flank it, commemorate the horrors of the Transatlantic Slave Trade. The memorial gate, which marks the point where African captives were forced onto transatlantic slave ships, is connected by a path, known as the “Slave Route,” to the market square, where enslaved people were once sold. The memorial arche is embellished with a frieze, depicting two lines of enslaved people bound at their hands and chained together as they walk towards waiting ships. The columns are adorned with sculptures depicting men and women captives, their extremities bound, as they kneel and await their fate in Portuguese-built forts. The back of the gate is adorned with depictions of their native towns. Yves Ahouangnimon was the architect for the project; Fortuné Bandiera created figures and bas reliefs on the columns; Yves Apollinaire Pèdé created the bas-reliefs on the center arch and two free-standing <em>egungun</em>; and Dominique Kouas created the copper statues.</p>
Creator
An entity primarily responsible for making the resource
Ahouangnimon, Yves
Bandiera, Fortuné, 1953-
Kouas, Dominique, 1952-
Pèdé, Yves Apollinaire, 1959-
Date
A point or period of time associated with an event in the lifecycle of the resource
Dedicated: November 30, 1995
Relation
A related resource
<a href="https://en.unesco.org/themes/fostering-rights-inclusion/slave-route#Collection" target="_blank" rel="noopener">The Slave Route, UNESCO</a><a href="https://medium.com/from-traditional-to-contemporary-aesthetic/the-slaving-port-of-ouidah-and-monumental-discourse-around-the-atlantic-perimeter-a41968341a57" target="_blank" rel="noopener"></a>
Format
The file format, physical medium, or dimensions of the resource
JPEG
Language
A language of the resource
English
Type
The nature or genre of the resource
Visual Arts-Sculpture
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Route des Escalves, Ouidah, Benin
Source
A related resource from which the described resource is derived
Photographs: Dan Stone, <a href="https://www.flickr.com/photos/dantoujours/33680680066/in/album-72157678589698644/" target="_blank" rel="noopener">https://www.flickr.com/photos/dantoujours/33680680066/in/album-72157678589698644/</a><a href="https://medium.com/from-traditional-to-contemporary-aesthetic/the-slaving-port-of-ouidah-and-monumental-discourse-around-the-atlantic-perimeter-a41968341a57" target="_blank" rel="noopener"></a>
Photograph of commemorative plaque: <a href="https://commons.wikimedia.org/wiki/File:Porte_du_non_retour_11.jpg" target="_blank" rel="noopener">https://commons.wikimedia.org/wiki/File:Porte_du_non_retour_11.jpg</a>
Contributor
An entity responsible for making contributions to the resource
Gouvernement de la République du Bénin and UNESCO.
Rights
Information about rights held in and over the resource
Gouvernement de la République du Bénin
Africa
Benin
Dominique Kouas
Fortuné Bandiera
Ouidah
slave trade
slavery
Yves Ahouangnimon
Yves Apollinaire Pede
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https://www.community-sourcing-beta-test.slaverymonuments.org/files/original/802ab058c4bac03ea7d6a2ff8359d2b0.jpg
5084e1942519cb01108825e13c7d0ed6
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Sculpture
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<em>Never Again Slavery Statue</em> (Albreda, The Gambia)
Subject
The topic of the resource
Subject (Topic) <br />Slavery-Emancipation <br />Middle Passage <br />Transatlantic Slave Trade <br />Slave Trade <br />Albreda/Juffureh, The Gambia
Subject (Object Type)<br />Commemorative sculpture
Description
An account of the resource
The work depicts an abstracted human figure, arms outstretched above their head, broken chains hanging from each wrist. Both the frontal and posterior planes of the body are painted black, while the sides of the body are painted white. A geometric, linear symbol is inscribed on the figure's chest. A globe is used for the figure’s head. “Never Again!” Is painted on the base of the work.
Relation
A related resource
To read more about the slave trave in Senegal and the Gambia, click <a href="https://onlinelibrary.wiley.com/doi/pdf/10.1111/foge.12025" target="_blank" rel="noopener">here.</a>
Format
The file format, physical medium, or dimensions of the resource
JPEG
Language
A language of the resource
English
Type
The nature or genre of the resource
Visual Arts-Sculpture
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Albreda/Juffureh, The Gambia
Creator
An entity primarily responsible for making the resource
Unknown
Source
A related resource from which the described resource is derived
Wikipedia Commons
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https://www.community-sourcing-beta-test.slaverymonuments.org/files/original/1174c6ef39bcbccc9bf54b83b627438e.jpg
be8c7c104c1b59ae3e0814ed915db151
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Building and Structure
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<em>Maison des Esclaves (House of Slaves)</em> (Gorée Island, Senegal)
Subject
The topic of the resource
Subject (Topic)<br />Middle Passage<br />Transatlantic Slave Trade<br />Slave Trade<br />Dakar, Senegal
Description
An account of the resource
The island of Gorée was the site of one of the earliest European settlements in Western Africa and from the 15th to the 19th century, served as the largest slave-trading site on the African coast. Built in 1776, Maison des Esclaves, was a detention center for captured Africans who were destined to be sold as slaves. In 1962 the home was established as a museum dedicated to telling the “personal stories of a private home and the role of its owners in both local business and the slave trade.”
Relation
A related resource
To learn more about UNESCO's Island of Gorée World Heritage Site, click <a href="https://whc.unesco.org/en/list/26">here</a>.<br /><br />To listen to a short interview with the curator of the <em>Maison des Esclaves, </em>click <a href="https://www.youtube.com/watch?v=fspECppEK_Q" target="_blank" rel="noopener">here.</a>
Format
The file format, physical medium, or dimensions of the resource
JPEG
Language
A language of the resource
English
Type
The nature or genre of the resource
Building and Structures
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Rue St-Germain, Gorée Island, Senegal
Source
A related resource from which the described resource is derived
International Coalition of Sites of Conscience
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https://www.community-sourcing-beta-test.slaverymonuments.org/files/original/0a119b0a8f1fb58719aba114c4834fb2.jpg
47a5c18782775035f2fae930cf578d2e
https://www.community-sourcing-beta-test.slaverymonuments.org/files/original/110be1c91ebf27247f2799fc316d23bf.jpg
565fd62774ef9177731e1e3e98eb8650
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Sculpture
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<em>Slave Market Memorial</em> (Stone Town, Zanzibar, Tanzania)
Subject
The topic of the resource
Subject (Topic)<br />Middle Passage<br />Transatlantic Slave Trade<br />Slave Trade<br />Stone Town, Zanzibar
Subject (Object Type)<br />Commemorative sculpture
Description
An account of the resource
<p class="p1"><span class="s1">Five nude torsos of enslaved Africans emerge from stone pillars, whose rough and pebbled texture resemble the stones that fill the concrete pit that surround them. The five cast concrete figures, all but one of whom are chained around the neck, are located on the site of the last slave market in Africa.</span></p>
Creator
An entity primarily responsible for making the resource
Sörnäs, Clara
Relation
A related resource
To read more about the Stone Town of Zanzibar, a UNESCO World Heritage Site, click <a href="http://whc.unesco.org/en/list/173/" target="_blank" rel="noopener">here.</a>
Format
The file format, physical medium, or dimensions of the resource
JPEG
Language
A language of the resource
English
Type
The nature or genre of the resource
Visual Arts-Sculpture
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
<a href="https://www.google.com/maps/place/Slave+Chambers/@-6.1645032,39.1926727,18z/data=!4m12!1m6!3m5!1s0x185cd059318257d9:0x73091b66b9d70cd2!2sAnglican+Cathedral!8m2!3d-6.1629403!4d39.1926016!3m4!1s0x185cd05ecaed09bb:0x7840e2a061706433!8m2!3d-6.1634083!4d39.1925146">The memorial is located in the gardens of Christ Church, an Anglican cathedral in Stone Town, Zanzibar</a>
Source
A related resource from which the described resource is derived
We Heart Public Heart, originally from Flickr pic originally uploaded by patripics
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https://www.community-sourcing-beta-test.slaverymonuments.org/files/original/c70ccb1ea613daa6cc503962995ddcca.jpg
7bdc4777bf71f29b5fc9fcedb39fc8ec
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Sculpture
Physical Dimensions
The actual physical size of the original image
196.8'' (499.872 cm)
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<em>Thomas Alexandre Dumas Slavery Memorial</em> (Paris, France)
Subject
The topic of the resource
Subject (Topic)<br />Slavery-Emancipation<br />Slavery-Abolition<br />Middle Passage<br />Transatlantic Slave Trade<br />Slave Trade<br />Diaspora<br />Paris, France
Subject (Name)<br />Thomas-Alexandre Dumas Davy de la Pailleterie, 1762-1806
Subject (Object Type)
Commemorative sculpture
Description
An account of the resource
The monumental ironwork is dedicated to both the memory of <a href="https://www.britannica.com/biography/Alexandre-Dumas-French-general" target="_blank" rel="noopener">General Dumas</a>, the first black general in France and the abolition of slavery. The work, which consists of broken shackles and iron chains, was erected on the site of <a href="https://anosgrandshommes.musee-orsay.fr/index.php/Detail/objects/5083" target="_blank" rel="noopener">Alphonse de Perrin de Moncel's Monument au Général Dumas, 1913</a>, which was destroyed during the Nazi occupation of France.
Creator
An entity primarily responsible for making the resource
Sans Arcidet Lacourt, Driss (Le Musée Khômbol), 1960-
Date
A point or period of time associated with an event in the lifecycle of the resource
Dedicated: April, 4 2009
Contributor
An entity responsible for making contributions to the resource
Claude Ribbe, L'association des amis du Général Dumas; Office of the Mayor of Paris
Format
The file format, physical medium, or dimensions of the resource
JPEG
Language
A language of the resource
English
Type
The nature or genre of the resource
Visual Arts-Sculpture
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Avenue de Villiers, 75017 Paris, France
Source
A related resource from which the described resource is derived
Wikipedia Commons
-
https://www.community-sourcing-beta-test.slaverymonuments.org/files/original/fd4091df0b9ff67eb3cc0c4cdf4f1f51.jpg
8589215817c0303f894023193de093ce
https://www.community-sourcing-beta-test.slaverymonuments.org/files/original/6b96d43604fdda18ab0de589179eef0d.jpg
35a70ef80eeb36b857b0b7a69fd256e4
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Building and Structure
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<em>Memorial to the Abolition of Slavery</em> (Nantes, France)
Subject
The topic of the resource
Subject (Topic)<br />Slavery-Emancipation<br />Slavery-Abolition<br />Middle Passage<br />Transatlantic Slave Trade<br />Slave Trade<br />Nantes, France
Subject (Object Type)
Memorial
Description
An account of the resource
Erected as a space to remember the atrocities of slavery and to commemorate all past and present efforts to resist it, the memorial was constructed in the former center of the French slave trade, Nantes. Designed by an artist and an architect, the memorial consists of “an enormous open-air staircase [which] leads to the subterranean passageway where visitors are welcomed by the Universal Declaration of Human Rights, behind which the word ‘freedom’ is displayed in over fifty languages from countries on every continent affected by the slave trade. At the western end of the passageway, key historical dates and locations highlight the scale not only of the events that led to the abolition of the slave trade but of the ongoing fight against enslavement today” (see b<label>ibliographic citation).</label><button name="add_element_80" id="add_element_80" type="button" value="Add Input" class="add-element"></button>
Creator
An entity primarily responsible for making the resource
Wodiczko, Krzysztof (artist), 1943- <br />Bonder, Julian (architect)
Date
A point or period of time associated with an event in the lifecycle of the resource
Opening Ceremony: March 25, 2012
Relation
A related resource
To learn more about the memorial, click <a href="http://memorial.nantes.fr/en/" target="_blank" rel="noopener">here.</a>
Format
The file format, physical medium, or dimensions of the resource
JPEG
Language
A language of the resource
English
Type
The nature or genre of the resource
Building and Structures
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Quai de la Fosse, Passerelle Victor-Schoelcher, 44000 Nantes, France
Source
A related resource from which the described resource is derived
Mémorial de L'Abolition de L'Esclavage, Nantes